I'm the senior contributor to The Geek Show, a North-East English review site. You can find our Patreon here, which contains a lot of stuff that isn't available anywhere else including an X-Files review series I write. This is a work-in-progress list of everything I've written for The Geek Show.
I've also done longer series about Doctor Who and Twin Peaks, which are collected on their own pages - just click the links!
NEW ARTICLES!!!
- 'Illustrious Corpses (1976): The Paranoid Style in Italian Thrillers' (2nd February 2026)

- 'Testimony (2025): Sensitively Reopening the Case on Ireland's Darkest Secrets' (21st November 2025)
- 'The Maiku Hama Trilogy (1994-6): Film Noir Through a Vividly Japanese Lens' (19th November 2025)
- 'Pocket Money (1976): joyful, humane, ripe for rediscovery' (6th November 2025)
- 'Manthan (1976): the birth of crowd-funding?' (29th October 2025)
- 'Altered States (1980): Ken Russell's Primeval Hollywood Trip' (27th October 2025)
- 'Frankie Maniac Woman (Grimmfest 2025)' (13th October 2025)
- 'Wendy and Lucy (2008): Pedigree Take on a Dog's Life' (8th October 2025)
- 'A Woman Called Mother (Fantastic Fest 2025)' (23rd September 2025)
- 'Saving Face (2004): A Happy Ending for Alice Wu's Cult Romance' (2nd September 2025)
- 'Who Wants to Kill Jessie (1966): Barbarella vs Superman in Communist Czechoslovakia!' (28th August 2025)
- 'Films by Zoltan Huszarik (1963-1979): Life, Death and One Incredible Box Set' (28th July 2025)
- 'Life is Cheap... But Toilet Paper is Expensive (1989): Even Wilder than the Title Suggests' (25th July 2025)
- 'Zero (2024): Senegalese Suspense from a New Studio with a Big Mission' (25th July 2025)
- 'The Box Man (2024): Far From Boxed-In Cinema From Sporadically Productive Genius' (8th July 2025)
- 'Divine Love (2019): An All-Too-Conceivable Dystopia' (7th July 2025)
- 'The Wind Will Carry Us (1999): Kiarostami in the Country' (16th June 2025)
- 'Ishanou (1990): Indian Regional Cinema Probes the Mystery of Faith' (3rd June 2025)
- 'Noise (2017): Getting to the Truth of True Crime' (25th April 2025)
- 'Hardboiled: Three Pulp Thrillers by Alain Corneau' (24th March 2025)
- 'The Barnabas Kos Case (1965): Triangle of Madness' (18th March 2025)
- 'Play It Cool (1970): Walking the Fine Line Between Melodrama and Exploitation' (16th March 2025)
- 'Escape from the 21st Century (2024): Everything, Everywhere, Even More Than That' (25th February 2025)
- 'The Gift (2000): Sam Raimi's Southern Gothic is Worth Unearthing' (5th February 2025)
- 'The Usual Suspects (1995): Better Left in the '90s?' (10th January 2025)

- 'The Fisher King (1991): Robin Williams's Best Role in Terry Gilliam's Most Accessible Film' (10th December 2024)
- 'Son of Adam (London International Fantastic Film Fest 2024)' (1st December 2024)
- 'Super Spies and Secret Lies: Three Undercover Classics from Shaw Brothers (1966-1969)' (25th November 2024)
- 'Pharaoh (1966): Polish Epic Offers a Very Different Kind of Sword-and-Sandal Picture' (16th September 2024)
- 'Video Vision (FrightFest 2024)' (25th August 2024)
- 'Dancing Village: The Curse Begins (2024): Nimbly Avoids the Curse of Prequelitis' (16th August 2024)
- 'Santa Sangre (1989): Carnage at the Circus in Jodorowsky's Chaotic Classic' (29th July 2024)
- 'Poolman (2023): It's Not Chris Pine's The Big Lebowski, But It's Not Bad Either' (26th June 2024)
- 'The G (2023): Lean, Realist Revenge Thriller Puts a Welcome Spotlight on Dale Dickey' (21st June 2024)
- 'The Crazy Family (1984): Energetic Bad-Taste Comedy Breaks Down the Traditional Japanese Family Drama' (17th June 2024)
- 'Trenque Lauquen (2022): There's Something Big Happening in Argentina' (31st May 2024)
- 'Hamlet (2024): Age Cannot Wither McKellen's Great Dane' (4th April 2024)
- 'Three films by Jerzy Skolimowski: Walkover, Barrier and Dialogue 20-40-60' (1965-68)' (26th March 2024)
- 'Happy End (1967): The Kind of Film That Could Spark a Lifelong Obsession with Czech Comedy' (25th March 2024)
- 'Danger Zone (Kinoteka 2024)' (14th March 2024)
- 'One Percenter (2023): Japanese Fall Guy Delivers Eighty-Five Minutes of Mayhem' (12th March 2024)
- 'A Wolfpack Called Ernesto (2023): Experimental Look at Mexican Gang Culture' (23rd February 2024)
- 'Experimental Shorts (Slamdance Film Festival 2024)' (26th January 2024)
- 'Demon Mineral (Slamdance Film Festival 2024)' (24th January 2024)
- 'The Civil Dead (2022): A Mumblecore Shaggy Dog Story with None of the Downsides' (18th January 2024)

- 'Murder Obsession (1981): Late-Period Meta-Giallo With Some Unforgettable Set-Pieces' (19th December 2023)
- 'Booger (Soho Horror Fest 2023)' (29th November 2023)
- 'Hippo (Soho Horror Film Festival 2023)' (28th November 2023)
- 'Lost in the Night (2023): The Environmental Thriller too Pulpy for Cannes?' (24th November 2023)
- 'Door (1988) and Door 2 (1991): The High Art of Gut-Level Sleaze' (31st October 2023)
- '8 Found Dead (2022): Crime Thriller Playing Guess the Subgenre' (23rd October 2023)
- 'It Lives Inside (2023): Comfortingly Uncomfortable Horror with a Twist' (20th October 2023)
- 'Interrogation (1982): Merciless, Kafkaesque, a Two-Hour Pressure Cooker' (19th September 2023)
- 'Apocalypse Clown (2023): David Earl Leads a Circus at the End of the World' (31st August 2023)
- 'Transmission (FrightFest 2023)' (30th August 2023)
- 'Mancunian Man: The Legendary Life of Cliff Twemlow (FrightFest 2023)' (29th August 2023)
- 'Hostile Dimensions (Frightfest 2023)' (28th August 2023)
- 'Film Noir Collection Vol. 3: Calcutta, Ride the Pink Horse, Outside the Law, The Female Animal (1946-1958)' (7th August 2023)
- 'Skinamarink (2022): TikTok's Favourite Liminal Horror Makes its Blu-Ray Bow' (3rd July 2023)
- 'Le Mepris (1963): The Odd Couple Godard and Bardot Make a Classic' (29th June 2023)
- 'Smooth Talk (1985): Should Now be Considered an American Classic' (28th June 2023)
- 'Red Sun (1970): Between the Commune and the Comic-Book' (22nd June 2023)
- 'The Hot Spot (1990): More Fun Than Eating Cotton Candy Barefoot' (21st June 2023)
- 'Twilight (1990): An Irresistible Challenge that Upends the Detective Genre' (12th June 2023)
- 'The Lighthouse (2019): A 4K Illumination for a Modern Cult Classic' (8th June 2023)
- 'Hopping Mad: The Mr. Vampire Sequels (1986-1989)' (22nd May 2023)
- 'Naked Lunch (1991): A Special Edition Big Enough to Feed Anyone's Addiction' (17th April 2023)
- 'The Pawnshop (Kinoteka 2023)' (29th March 2023)
- 'The Cow Who Sang a Song into the Future (2022)' (23rd March 2023)
- 'My Drywall Cocoon (SXSW 2023)' (14th March 2023)
- 'Smoking Causes Coughing (Glasgow Frightfest 2023)' (13th March 2023)
- 'Vivre Sa Vie (1962): Godard, the Ultimate Cinephile, Makes His Most Emotional Film' (13th February 2023)
- 'You Resemble Me (2021): The Real Person Behind the Fake News' (3rd February 2023)
- 'El Mar La Mar (2017): Experimental Cinema in One of Earth's Most Hostile Landscapes' (31st January 2023)
- 'The Lukas Moodysson Collection (1998-2013)' (30th January 2023)

- 'Mississippi Masala (1991): Cross-Culture Romance with a Young Denzel Washington' (15th December 2022)
- 'Rimini (2022): Looking for the Shaft of Light in Ulrich Seidl's Sensibilities' (9th December 2022)
- 'Father Earth (2022): Big Issues Tackled in Graham Fellows's Small-Scale Fashion' (2nd December 2022)
- 'The Power of the Dog (2021): An Inspirational Western for Those with the Patience to Ride With It' (28th November 2022)
- 'Son of the White Mare (1981): A One-Man Mission to Demonstrate Animation's Possibilities' (15th November 2022)
- 'Tales of Unease (1970): Paperback Horror Brought to Life in an Unjustly Forgotten Series' (11th November 2022)
- 'Gothico Fantastico: Four Italian Tales of Terror (1963-66)' (20th October 2022)
- 'The Amusement Park (1975): George A Romero's Lost Film Comes Back from the Dead' (14th October 2022)
- 'Identification of a Woman (1982): Antonioni Enters the '80s, as Provocative as Ever' (20th September 2022)
- 'The Feast (2021): The First Welsh-Language Horror Movie Doesn't Want for Ambition' (18th August 2022)
- 'Summertime (1955): David Lean's Favourite David Lean Film' (27th July 2022)
- 'Larks on a String (1969): Saved from the Scrapheap of Censorship' (18th July 2022)
- 'Wayfinder (2022): A Wilderness That Could Do With Some More Wildness' (1st July 2022)
- 'Theo and the Metamorphosis (2021): Uncomfortable for the Right Reasons' (24th June 2022)
- 'Moon, 66 Questions (2021): Subtly Strange Carer's Story that Resists Easy Comparisons' (21st June 2022)
- 'Outside the Law (1920): Dated Depictions Can't Overshadow Tod Browning's Genius' (14th June 2022)
- 'Enter the Void (2009): A City Symphony in 21st-Century Neon' (31st May 2022)
- 'Luminous Procuress (1971): If an Alien Made a Film About Human Sexuality, It Would Look Like This' (27th May 2022)
- 'Twisting the Knife: The Swindle (1997) and The Colour of Lies (1999)' (28th April 2022)
- 'The Big Racket (1976) and Heroin Busters (1977): Two Films by Enzo G Castellari' (19th April 2022)
- 'In the Family (2011) and The Grief of Others (2015): Two Films by Patrick Wang' (7th April 2022)
- 'To Sleep So As To Dream (1986): Silent Japanese Dream Detectives!' (29th March 2022)
- 'Boat People (1982): Ann Hui's Controversial Snapshot of Post-War Vietnam' (21st March 2022)
- 'Europa (2022): Gripping Outsider's View of Fortress Europe' (17th March 2022)
- 'Bartleby (1970): Literature's Greatest Enigma Gets a Fine, Clever Modernisation' (4th March 2022)
- 'Lies and Deceit: Madame Bovary (1991), Betty (1992), Torment (1994)' (22nd February 2022)
- 'A Bread Factory Parts One and Two (2018): Epic Art-World Comedy' (18th February 2022)
- 'Seance (2021): Standard Slasher with One Killer Extra' (18th January 2022)
- 'Jakob's Wife (2021): Eternally Left-Turning Modern Vampire Movie' (13th January 2022)
- 'In the Realm of the Senses (1976): Legendary Arthouse Shocker Returns, Its Power Undimmed' (3rd January 2022)

- '2021 Blow-Out: Giants and Toys (1958), Running Against the Wind (2019), Menace II Society (1993), The Millionaires' Express (1986)' (30th December 2021)
- 'Original Cast Album: Company (1970): Have I Got a Film for You!' (27th December 2021)
- 'Current (1964): A Calm Surface with a Darker Undertow' (10th December 2021)
- 'Free Hand for a Tough Cop (1976): An Outrageous Buddy-Cop Film from a Video Nasties Legend' (8th December 2021)
- 'Two New Criterions: Devi (1960) and The Thin Red Line (1998)' (3rd December 2021)
- 'Dementia 13 (1962): The B-Horror That Gave Us The Godfather' (19th November 2021)
- 'We Need to Do Something (2021): Ambitious Lockdown Horror with One Twist Too Many' (28th October 2021)
- 'No Man of God (2021): Not the Bundy Biopic You May be Fearing' (26th October 2021)
- 'Love & Basketball (2000): And a Lot More Besides' (25th October 2021)
- 'Violation (2020): Hardcore Revenge Without the Toxicity' (21st October 2021)
- 'La Dolce Vita (1960): When Fellini Became Fellini-esque' (20th October 2021)
- 'Death Screams (1982): And the Essential Innocence of Early Slashers' (29th September 2021)
- 'Johnny Guitar (1954): Oh, Vienna!' (28th September 2019)
- 'Twin Peaks: Fire Walk With Me (1992): Reassessment of Lynch's "Pathologically Unpleasant" Film is Complete' (10th September 2019)
- 'All About Eve (1950): Fasten Your Seatbelts, It's a Double-Disc Criterion' (26th August 2021)
- 'Mirror (1975): Tarkovsky Shows Us His Dreams, His Memories and His Lasting Influence' (6th August 2021)
- 'Pariah (2011): The Most Influential 2010s Film You Haven't Seen' (26th July 2021)
- 'The Babadook (2014): The Reigning Champ of Modern Horror Gets the Reissue it Deserves' (23rd July 2021)
- 'Straight Shooting (1917) and Hell Bent (1918): John Ford Quietly Establishes the Western's Essentials' (5th July 2021)
- 'But I'm a Cheerleader! (1999): The Best John Waters Film Waters Never Made' (23rd June 2021)
- 'Merrily We Go to Hell (1932): A Devil of a Time With a Future Star' (15th June 2021)
- 'The Silence Before Bach (2007) and Mudanza (2008)' (26th May 2021)
- 'Masculin Feminin (1966): Further Adventures of Jean-Luc Godard' (17th May 2021)
- 'A Glitch in the Matrix (2021): Room 237 Director's Latest Labyrinth' (10th May 2021)
- 'I Start Counting (1969): Or, When is a Reissue Really a Box Set?' (6th May 2021)
- 'The Darjeeling Limited (2007): Wes Anderson's Problem Play' (26th April 2021)
- 'Tales from the Urban Jungle: Brute Force (1947) and The Naked City (1948)' (12th April 2021)
- 'Two Martial Arts Films: Russian Raid (2020) and Winners & Sinners (1983)' (23rd March 2021)
- 'Lost in America (1985): Some Kind of Comic Masterpiece' (22nd March 2021)
- 'Breeder (2020): Reclaiming the Torture Horror?' (26th February 2021)
- 'Host (2020): As Good on Blu-Ray as it was on Streaming' (16th February 2021)
- 'Charade (1963): One Perfect Story-Telling Machine' (15th February 2021)
- 'Rams (2020): Not Quite the GOAT, but a Touching Shaggy Sheep Story' (5th February 2021)
- 'A Rainy Day in New York (2019): And a Grim Day for Woody Allen Fans' (21st January 2021)
- 'Liberté (2019): If You Go Down to the Woods Today...' (11th January 2021)
- '2020 Films You Might Have Missed...' (4th January 2021)

- 'The New World (three cuts, 2005-8): Choose Your Own Adventure' (30th December 2020)
- 'Symbiopsychotaxiplasm: Two Takes By William Greaves (1968/2005): Red-Hot Takes' (14th December 2020)
- 'Mouchette (1967): The Kind of Serious Art Cinema That Just Isn't Made Anymore' (8th December 2020)
- 'How You Live Your Story: Selected Works By Kevin Jerome Everson (2005-2020)' (9th November 2020)
- 'Sweet Charity (1969): A Musical for Its Time and Ours' (27th October 2020)
- 'Eraserhead (1976): A Treasure Trove Release for Fans of David Lynch' (16th October 2020)
- 'Real (2019): Breezy but Uneven Cycle Through Working-Class Romance' (4th September 2020)
- 'Story of a Love Affair (1950): Lies, PIs and Neorealism from Antonioni' (5th August 2020)
- 'Mr. Vampire (1985): The Audacity of Hop' (24th July 2020)
- 'Czechmate - In Search of Jíři Menzel (2018): A Love Letter to Czech New Wave' (14th July 2020)
- 'Scorsese Shorts (1963-74): Supremely Confident First Steps of a Master' (29th June 2020)
- 'John Ford at Columbia 1935-1958: Way Outside the West' (28th April 2020)
- 'Curling (2010): Grips in Ways a Standard Hollywood Thriller Can't Manage' (13th April 2020)
- 'The Navigator (1924): Still Hugely Impressive Today' (2nd April 2020)
- 'Antonio Gaudi (1984): Pure Cinema Explores Pure Imagination' (6th March 2020)
- 'The Essential Jacques Demy (1961-1982): A Constant Conveyor Belt of Delights' (18th February 2020)
- 'The Winslow Boy (1948): Remarkably Empathetic and Genuine' (3rd February 2020)

- 'The Halfway House (1944): Beguiling Ealing, With Hints of Later Ghost Stories' (25th December 2019)
- 'Moonrise Kingdom (2011): Revel in the Artificiality!' (27th November 2019)
- 'Rabid (2019): Mutating to Its Heart's Content' (7th October 2019)
- 'Journey to the Beginning of Time (1955): An Astonishing Arsenal of Animator's Tricks' (4th October 2019)
- 'The Third Wife (2018): An Unsensational Film That's Caused a Big Fuss' (23rd August 2019)
- 'Inseminoid (1980): Dynamic, Provocative, Extravagantly Tasteless' (31st July 2019)
- 'A Case for a Rookie Hangman (1970): As Thoroughly Bananas as the Title Suggests' (28th June 2019)
- 'The Captor (2018): True Crime a la Blumhouse' (25th June 2019)
- 'How I Won the War (1966): Much More Than Just Beatles Trivia' (28th May 2019)
- 'A Face in the Crowd (1957): The American Nightmare, Years Ahead of its Time' (13th May 2019)
- 'Breaking the Limits (2017): Punkish Polish Biopic' (8th May 2019)
- 'The Man Who Killed Hitler and Then the Bigfoot (2018): 21st-Century Tall Tales' (7th May 2019)
- 'Everybody in Our Family (2012): Atmospheric, Touching and Defiantly Small-Scale' (29th April 2019)
- 'Anna and the Apocalypse (2017): Equal Parts Toe-Tapping and Head-Smashing' (26th April 2019)
- 'The Song of Bernadette (1943): A Film of Faith, But Not Blind Faith' (17th April 2019)
- 'To Sleep With Anger (1990): The Eternally Youthful Charles Burnett' (28th Marcy 2019)
- 'Kolobos (1999)': Soft Satire, But Hard Gore' (11th March 2019)
- 'The Boys in the Band (1970): After Stonewall, Before Pride' (1st March 2019)
- 'Shoah - The Four Sisters (2018): Chamber Pieces from a Historical Nightmare' (19th February 2019)
- 'Opera (1987): Argento is No Ordinary Horror Director and This No Ordinary Horror Film' (15th January 2019)
- 'Josie (2018): To Be Bad You Have to Recognise That You're Bad' (14th January 2019)

- 'Texas Adios (1966): A Glimpse of the Spaghetti Westerns Yet to Come' (17th December 2018)
- 'Early Films by Olivier Assayas (1986 and 1989)' (29th November 2018)
- 'The Tree of Life (2011): A Film We'll Never Stop Talking About' (22nd November 2018)
- 'Project A (1983) and Project A Part II (1987): Jackie Chan, Cinephile' (13th November 2018)
- 'Gas Food Lodging (1992): A Quintessential 2018 Indie Movie Made in 1992' (12th November 2018)
- 'Hitler's Hollywood (2017): Modern History and its Cinema's Darkest Days' (5th November 2018)
- 'Eye of the Needle (1981) and Rescue Under Fire (2017): Two War Movies' (12th October 2018)
- 'Myrkas of the World Unite: Is Doctor Who Posh, Part Two' (6th October 2018)
- 'House of Salem (2016): A Confidently Staged British Occult-Kidnap Thriller Debut' (1st October 2018)
- 'Myrkas of the World Unite: Is Doctor Who Posh?' (29th September 2018)
- 'Iceman (2018): Payback in the Palaeolithic' (17th September 2018)
- 'Separate Tables (1963): Sophisticated Fun, Save for Some Inadvertent Unpleasantness' (21st August 2018)
- 'The Miraculous Virgin (1966): A Virtuoso Exercise of Imagery and Poetry' (17th August 2018)
- 'Under the Tree (2017): Icelandic Black Comedy Fails to Live Up to Its Early Promise' (16th August 2018)
- 'F for Fake (1973): Orson Welles's Beguiling, Adventurous Art Documentary Swansong' (30th July 2018)
- 'Samuel Fuller at Columbia (1937-61)' (10th July 2018)
- 'Black Peter (1964): The Origins of Czech New Wave's Greatest Export' (9th July 2018)
- 'Dark River (2017)... and the Continued Ascent of Clio Barnard' (26th June 2018)
- 'Jubilee (1978): Pure Punk and Pure Derek Jarman' (16th June 2018)
- 'Mishima - A Life in Four Chapters (1985): The Antidote to Biopic Fatigue' (11th June 2018)
- 'Allure (2017): A Modern Equivalent to '90s Psychological thrillers Like Single White Female' (17th May 2018)
- 'Metropolitan (1990): Whit Stillman's Comedy of High Society Manners' (10th May 2018)
- 'Early Hou Hsaio-Hsien: Three Films 1980-1983' (27th April 2018)
- 'La Chinoise (1967): More Fun Than the Dry, Doctrinaire Godard it is Accused of Being' (23rd April 2018)
- 'Sleeping Dogs (1977): A Dystopia So Stark it Makes Mad Max Look Like Mad Max: Fury Road' (13th April 2018)
- 'Shirley - Visions of Reality (2013): A Beautiful, Off-Kilter Recreation of Edward Hopper's Painting' (21st March 2018)
- 'Hotel Salvation (2017): A Respectful, Tender Exploration of Old Age and Dying' (2nd March 2018)
- 'Silence and Cry (1968): A Thought-Provoking Portrait of a Unique Director at a Critical Juncture in History' (22nd February 2018)
- 'Michael (1924): Carl Th. Dreyer's Phantom Thread' (16th February 2018)
- 'House (1977): Completely Within its Own Erratic, Mesmerising Orbit' (12th February 2018)
- 'The Mystery of Picasso (1956): A Meeting of Auteurs - Picasso & Clouzot' (29th January 2018)
- 'Blue Collar (1978): The Bleakest Picture of the Working Week in American Cinema' (25th January 2018)
- 'Charley Varrick (1973): The Casual Appeal of Walter Matthau' (22nd January 2018)

- 'Blood from the Mummy's Tomb (1971): A Deliciously Stylish, Melodramatic Occult Hammer Horror' (6th December 2017)
- 'The Witch Who Came from the Sea (1976): The Arty-Yet-Exploitative End of the Video Nasties List' (4th December 2017)
- 'Sherlock Jr. (1924): A Silent Comedy Far Ahead of Its Time' (20th November 2017)
- 'Manina, The Lighthouse-Keeper's Daughter (1949): Host to the Best Extra Feature of 2017?' (15th November 2017)
- 'Voice of the Moon (1990): The Master, Federico Fellini's Final Film' (2nd November 1990)
- 'JD's Revenge (1976): In Touch with its Culture, and Has Ideas That Transcend its Budget' (27th October 2017)
- 'The Gorgon (1964): Hammer's Terence Fisher Tackles Greek Mythology' (26th October 2017)
- 'The Haunting (1963): The Impenetrable Monochrome Terror of Black-and-White Horror' (25th October 2017)
- 'The Vikings (1958): The Closest the Viking Genre Has to a John Ford Movie' (19th October 2017)
- 'Vampir Cuadecuc (1971): A Surprisingly Sensual and Beautiful Avant-Garde Vampire Movie' (2nd October 2017)
- 'Certain Women (2016): A Grown-Up, Unironic, Realist Film About Ordinary People Going Through Ordinary Challenges' (29th September 2017)
- 'Song to Song' (19th September 2017)
- 'Every Picture Tells a Story: The Art Films of James Scott (1967-84)' (29th August 2017)
- 'Lord of the Flies (1963): Literary Classic Lives and Dies on the Shoulders of Its Child Actors' (28th August 2017)
- 'Joe Orton: Loot and Entertaining Mr. Sloane (both 1970)' (21st August 2017)
- 'Touchez Pas au Grisbi (1954): Jean Gabin and Jacques Becker's Radical Chic' (14th August 2017)
- 'J'Accuse (1938): World War I Historical Epic with Silent Film and Grindhouse Brio' (26th July 2017)
- 'The Levelling (2016): An Incredible, Sympathetic Film on the Plight of the Modern Farmer' (17th July 2017)
- 'Stormy Monday (1988): Mike Figgis's Anti-American Moody Noir' (11th July 2017)
- 'Daughters of the Dust (1991): Recalls Tarkovsky, Resnais or Any Other Sanctified European Arthouse Auteur You Might Care to Name' (30th June 2017)
- 'Stockholm, My Love (2016): The Audacity That Marks Out the Best Documentary-Fiction Hybrids is Missing' (26th June 2017)
- 'Minute Bodies: The Intimate World of F. Percy Smith (2016): It's a Tribute to Life, In All Its Messy Glory' (12th June 2017)
- 'Mulholland Drive (2001): It's No Wonder David Lynch's Work Inspires Such Devotion' (29th May 2017)
- 'Madame De... (1953): Much More Satisfying Than Just High-Society Glitz and Melancholy' (24th May 2017)
- 'Why Modern Hollywood Hates Plot Twists' (15th May 2017)
- 'The Informer (1929): 90-Year-Old Silent Political Thriller Feels Timeless' (28th April 2017)
- 'The Lady From Shanghai (1947): Orson Welles's Infamously Cut-to-Pieces Noir Returns' (21st April 2017)
- 'My 20th Century (1989): A Full-On Thermonuclear Blast of Intellectual, Comic and Sensory Pleasure' (22nd March 2017)
- 'Story of Sin (1975): The Standard by Which All Other Blu-Ray and DVD Releases Should Now Be Judged' (13th March 2017)
- 'Alice (1990): Woody Allen, Stepping Out of the Shadow of His Comedy' (17th February 2017)
- 'Crimes and Misdemeanours (1989): Woody Allen's Narrative Pleasures are Worth the Wait' (15th February 2017)
- 'The Glass Shield (1994): Underneath the Popcorn-Movie Surface is a Nuanced, Astute Neo-Noir' (25th January 2017)
- 'The Cabinet of Dr. Caligari (1920): The First Horror Film Ever That Truly Chills' (24th January 2017)

- 'The Emigrants/The New Land (1971-2)' (27th December 2016)
- 'The Royal Tenenbaums (2001): Wes Anderson at His Profoundly Sad, Moving and Redemptive Best' (11th December 2016)
- 'In Defence of - Invincible' (29th November 2016)
- 'The Hired Hand (1971): A Long-Lost Masterpiece from Peter Fonda' (25th November 2016)
- 'Stella Cadente (2014): Shakespeare's Richard II as a Peter Greenaway Film' (31st October 2016)
- 'Looking for Richard (1966): Al Pacino on the Creative Process and Shakespeare' (29th October 2016)
- 'Christine (1983): The Ugly Duckling of Carpenter's '80s Run Gets the Respect It Deserves' (27th October 2016)
- 'The Hills Have Eyes (1977): The Evolution of Wes Craven, The Rule-Breaker' (25th October 2016)
- 'Paris Blues (1962): Comes to Life With the Jazz and the Style' (20th October 2016)
- 'Cosmos (2015): Žuławski Ransacks His Knowledge of Art and Pop Culture for the Most Surreal Swansong (18th October 2016)
- 'One Million Years BC (1966): Harryhausen, Dinosaurs and the Legendary Bikini' (17th October 2016)
- 'The Sacrifice (1986): Tarkovsky's Acutely Intelligent Swansong' (2nd October 2016)
- 'Carmen Jones (1954): Influential Black Musical With a Weird Relationship to Race' (27th September 2016)
- 'Tartuffe (1925): Dynamic, Daring and Full of Beautiful Compositions, It's Definitely More Than Lesser Murnau' (21st September 2016)
- 'Cat People (1942): One of the Most Singular, Groundbreaking Horror Movies in American History' (19th September 2016)
- 'The Glass Key (1942): The Veronica Lake Show' (17th September 2016)
- 'Fox and His Friends/Chinese Roulette (1975): The Many Faces of Fassbinder' (8th September 2016)
- 'Stalker (1979): Tarkovsky's Infamous and Unfettered Artistic Vision' (27th August 2016)
- 'Sweet Bean (2015): Naomi Kawase, As Bolstered By Infusions of Documentary Realism' (22nd August 2016)
- 'The Shop on the High Street (1965): A Perfume to Mask the Smell of Death' (21st August 2016)
- 'The In-Laws (1979): A Pure-Bred Comedy Unicorn' (16th August 2016)
- 'Burroughs: The Movie (1983): A Bizarre Treat for Fans of William S. Burroughs' (3rd August 2016)
- 'The Taviani Brothers Collection (1977-84): Reality and Fiction Working Together' (25th July 2016)
- 'Play On! Shakespeare in Silent Film (2016): Pulls off the Impossible' (15th July 2016)
- 'The Swinging Cheerleaders (1974): Jack Hill's Sleazy Entree Into the High School Comedy' (4th July 2016)
- 'Joshua Oppenheimer - Early Work 1995-2003: It's Hard to Imagine Any Limit to His Imagination' (28th June 2016)
- 'Ivan's Childhood (1962): Once You've Seen It, You Won't Want to Live in a World Without It' (27th June 2016)
- 'Richard III (1995): Ready to be Reclaimed as a Masterpiece' (20th June 2016)
- 'The Club (2015): Offers its Characters Nowhere to Hide, No Sunlight to Enjoy, No Corners to Cower In' (11th June 2016)
- 'Edvard Munch (1974): Peter Watkins's Fight to be Free of Genres, Formats and Cliches' (9th June 2016)
- 'The Night Evelyn Came Out of the Grave (1971) and The Red Queen Kills Seven Times (1972)' (3rd June 2016)
- 'Expresso Bongo (1959): Cliff Richard in Pre-Swinging London Rock 'n' Roll Musical' (28th May 2016)
- 'Beat Girl (1959): British B-Movie That Found a Second Life in 60s America' (17th May 2016)
- 'The Last Command (1928): The Inaugural Best Actor Award Winner' (12th May 2016)
- 'Ran (1985): Home to One of the Greatest Battle Scenes of All time' (3rd May 2016)
- 'Mysterious Object at Noon (2000): The Most Groundbreaking and Innovative Director of the 21st Century' (25th April 2016)
- 'Grey Gardens (1975): The Maysles Brothers' Forgotten Masterpiece Returns' (17th April 2016)
- 'Back to God's Country (1953): Refreshingly Straightforward Arctic Western' (15th April 2016)
- 'Bad Sister (1931): A Minor Film with a Major Claim to Fame' (12th April 2016)
- 'Couple in a Hole (2015): Satisfying Small Drama from Debuting Belgian Director' (8th April 2016)
- 'The Sound Barrier (1952): David Lean, The Showman With Substance?' (5th April 2016)
- 'Ken Russell: The Great Passions' (29th March 2016)
- 'Sheba, Baby (1975): Blaxploitation, PG Style' (21st March 2016)
- 'Shooting Stars (1928): Unapologetically British Silent Film Glamour' (21st March 2016)
- 'Something Different/A Bagful of Fleas (1962-3): Breezy, Charming and Fiercely Political' (2nd March 2016)
- 'Fixed Bayonets! (1951): Gleefully Old-Fashioned Korean War Pulp Poetry' (14th February 2016)
- 'Hiroshima Mon Amour (1959): Rarely Been Bettered in the 57 Years Since' (13th January 2016)

- 'Aferim! (2015): Django Unchained Being Played Over Images From Meek's Cutoff' (14th December 2015)
- 'By Our Selves (2015): An Andrew Kötting Appreciation' (30th November 2015)
- 'All My Good Countrymen (1968): Even a Dictatorship Can't Keep a Lid on This' (22nd November 2015)
- 'The Fireman's Ball (1967): A Good Fun Satire on Totalitarianism?' (10th November 2015)
- 'Black Girl and Borom Sarret (1963): Say Hello to the Master of African Cinema' (19th October 2015)
- 'Zardoz (1974): Much More Than James Bond in a Red Nappy' (12th October 2015)
- '3 Women (1977): Stealthing its Way into Altman's Canon of Classics' (30th September 2015)
- 'Hard to be a God (2015): A Difficult, Dirty, Violent Epic of a Swansong' (26th September 2015)
- 'Horse Money (2014): Difficult, Obtuse, But an Open Mind Will See You Through' (18th September 2015)
- 'Dragon's Return (1968): A Jaw-Dropping Masterpiece of the Slovak Style' (26th August 2015)
- 'How to Be Eccentric: The Essential Richard Massingham' (23rd August 2015)
- 'Man with a Movie Camera (1929): Newly Minted as the Greatest Documentary Ever Made' (18th August 2015)
- 'The Beast (1975): Boro's Eye-Wateringly Animalistic Beauty and the Beast' (9th August 2015)
- 'Immoral Tales (1973): Art, History and Sex Cinema in the Hands of Borowczyk' (27th July 2015)
- 'War and Peace (2002): Monumental War Documentary More Committed to Peace than Bloodshed' (24th July 2015)
- 'Blanche (1971): More Jacobean Tragedy Than Euro-Kink Nightmare' (19th July 2015)
- 'Goto, Isle of Love (1968): Boro Thriving on Artifice and Precision' (5th July 2015)
- 'Story of My Death (2013): A Dracula Film for the More Adventurous Moviegoer' (26th June 2015)
- 'Walerian Borowczyk Short Films and Animation (1959-1987)' (21st June 2015)
- 'The Cruise, Camouflage and Shivers - Polish Cinema Vol. III' (25th May 2015)
- 'Fruit of Paradise (1970): Vera Chytilova, Free-Form and Unchained' (15th April 2015)
- 'Electricity (2014): Unforgettable Showcase of Aygness Deyn's Acting Talent' (6th April 2015)
- 'Traps (1998): Rape-Revenge Black Comedy as Channelled Through Czech Subversion' (16th March 2015)
- 'Pictures of the Old World (1972): Sorrowful, Funny and Bawdy Portrait of a People' (14th March 2015)
- 'The Turning (2015): Eclectic Aussie Shorts Based on the Work of Tim Winton', 24th February 2015)
- 'The Last of the Unjust (2013): Shoah Director Still Throws Up Genuine Moral Challenges', 22nd February 2015
- 'Kinetta (2005): Yorgos Lanthimos Before He Started Weirding the World Out', 3rd February 2015
- 'Little Lost Robot (Out of This World)', 21st January 2015